Themes Variations

Themes Variations....!

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Channel Title : John Clifford

Views : 7120

Likes : 77

DisLikes : 3

Published Date : 2017-10-24T06:21:34.000Z

Merrill Ashley and Sean Lavery. NYC Ballet

Channel Title : baja0270

Views : 241407

Likes : 1094

DisLikes : 40

Published Date : 2011-10-17T10:03:38.000Z

Rare video performance of Abt

Channel Title : CPGreeno357

Views : 2566409

Likes : 27307

DisLikes : 868

Published Date : 2016-03-05T03:01:30.000Z

A few of the variations of the Gravity Falls Theme Song I do not own Gravity Falls. All rights to Alex Hirsch and Disney. Music by Brad Breeck. Some of the videos belongs to: TheMysteryofGF (SDCC Trailers, Shacktron vs Henchmaniacs w/o original audio, Gravity Paws, Short into, and Weirdmaggedon intros) EpicSonicFTW (Weirdmaggedon 8-bit) EarthboundFanBro (Original Theme)

Channel Title : HowToReadSheetMusic

Views : 38417

Likes : 272

DisLikes : 9

Published Date : 2013-03-05T18:01:15.000Z Easy music theory video lesson explaining theme and variations form with an audio example.

Channel Title : pataragogo pataragogo

Views : 21014

Likes : 154

DisLikes : 6

Published Date : 2016-12-11T18:30:57.000Z

Balanchine's Theme and Variations Maia Makhateli/Artur Shesterikov Het National Ballet Tchaikovsky

Channel Title : thenameisgsarci

Views : 38087

Likes : 324

DisLikes : 5

Published Date : 2015-08-02T06:43:29.000Z

Variations on a Theme by Tchaikovsky, Op. 35a, a piece for string orchestra by Anton Arensky, started out as the slow movement of his String Quartet No. 2 in A minor, Op. 35. It was written in 1894, the year after the death of Pyotr Ilyich Tchaikovsky, in a tribute to that composer. It was based on the theme from the song "Legend: Christ in His Garden", the fifth of Sixteen Children’s Songs, Op. 54. Tchaikovsky's song was originally set to a Russian translation by Aleksey Pleshcheyev of an English poem called "Roses and Thorns" by the American poet Richard Henry Stoddard. At the first performance of the quartet, the slow movement was so well received that Arensky soon arranged it as a separate piece for string orchestra, Op. 35a, in which form it has remained among the most popular of all Arensky’s works. Arensky also made a version of the quartet for the unusual scoring of violin, viola and two cellos. The Variations are set out in the following sequence: Theme, Moderato Variation I, Un poco più mosso Variation II, Allegro non troppo Variation III, Andantino tranquillo Variation IV, Vivace Variation V, Andante Variation VI, Allegro con spirito Variation VII, Andante con moto Coda: Moderato. (Wikipedia) Please take note that the audio AND the sheet music IS NOT mine. Change the quality to 480p if the video is blurry. Original audio:

Channel Title : madlovba3

Views : 153143

Likes : 1210

DisLikes : 11

Published Date : 2011-07-30T14:44:48.000Z

Cécile Chaminade's utterly charming Theme and Variations, played by Marc-André Hamelin in Amsterdam, 1998.

Channel Title : Menuhin Competition

Views : 713074

Likes : 14295

DisLikes : 167

Published Date : 2012-06-06T18:27:31.000Z

Soo-Been Lee in the Juniors - Finals of the Menuhin Competition Beijing 2012

Channel Title : shortermusic

Views : 18023

Likes : 79

DisLikes : 3

Published Date : 2011-09-22T23:47:35.000Z

CS Theme and Variations, Op. 6 (1985) Randall Compton (b. 1954) Rebekah Jordan-Miller, piano Jerico Vasquez, piano Shorter University Faculty Gala: August 29, 2011

Channel Title : Altissimo Recordings

Views : 22977

Likes : 104

DisLikes : 7

Published Date : 2013-03-22T15:02:37.000Z

Arnold Schoenberg President's Own United States Marine Band, The, President's Own United States Marine Band, The Theme and Variations, Op. 43a President's Own United States Marine Band: The Bicentennial Collection 75442261012

Channel Title : Ashish Xiangyi Kumar

Views : 420382

Likes : 3629

DisLikes : 75

Published Date : 2016-01-14T20:58:17.000Z

Brahms was not a showman, and rarely wrote music which aimed at being technically difficult. But when he did, he out-Liszted Liszt. The Paganini Variations, as you can tell from their main title, are not just a fully-fledged concert work but also a set of exercises for study, featuring technical challenges that are often more than a little obscene [19:24]. As always, the variations are also musically dazzling in their variety and invention. Kissin plays the faster variations with astounding bravura, [11:29] dynamic control [16:05], and articulation [16:49], and is exquisitely delicate in the slower ones [07:45]. Book I 00:00 – Theme 00:25 – Var.1. Churning sixths and thirds. Already extremely difficult. 00:49 – Var.2. Sixths in the LH, and rapid embellished octaves in the RH. Toybox-like sounds. 01:14 – Var.3. A single line divided between the hands scurries along in the new 6/8 meter with upbeats. Repeated notes divided rapidly between hands. 01:40 – Var.4. Accented trills and very large arpeggios. 02:25 – Var.5. The first quiet one. Hand-crossing, chromaticism, contrasting meter in both hands. 03:33 – Var.6. Syncopation and rapid, quiet octave leaps. 03:56 – Var.7. Fiery and dramatic. Chromatic octaves at the edges of the keyboard and harmonies in the centre of the keyboard swing inwards and outwards. Their movement is reversed in the second statement. 04:21 – Var.8. Leaps and thirds. Mazeppa-like. 04:47 – Var.9. Harmonic movement twice as slow as in earlier variations. Chromatic chords in RH against repeated octaves in tripet rhythm in LH. 06:07 – Var.10. Hand-crossing, syncopation. 07:45 – Var.11. The first of two major-key variations. Both hands in a high treble register playing expressive, steady, “tinkling” harmonies. In this variation, there are four full “repetitions,” as each two-bar unit uses the same exact material. The only variety comes from touch and dynamic change. 09:30 – Var.12. Continues the music box character of Var.11. RH has leaping, meandering arpeggios in the high register in triplet rhythm, the LH (beginning with an upbeat), in opposite motion in “straight” rhythm. 10:56 – Var.13. A “gypsy” variation, with difficult glissandi. 11:29 – Var.14. A stunning finale to Book I, really three variations rolled into one. The RH and LH pass a rapid scale between them, taking breaks to leap to two repeated notes and a punctuating octave. Trills intensify the variation, and then a huge cascade of arpeggios takes over. Repeated notes and vast rapid leaps. A trill emerges, is sustained, fades away, and becomes a drone over which a new variation is established. After a while the drone disappears altogether and broken octaves punctuated by sharp accents take over. Book II 13:11 – Var.1. Octave leaps, thirds. 13:56 – Var.2. Polyrhythm. Winding octaves and arpeggios. 14:31 – Var.3. Ascending thirds punctuated by octaves. Double notes. 15:00 – Var.4. A lilting waltz. 16:05 – Var.5. Dotted octaves, fleet-footed descending triplets. 16:28 – Var.6. Large, arching arpeggios with sharp, crushing embellishments. 16:49 – Var.7. A masterpiece of disguised complexity. A barely discernible but disorientating upbeat in the LH. 4 against 3 against 9 polyrhythm, later turned to 8 against 9. A chromatic line (the top note of an arpeggio) set of against octaves. Hands switch roles in second half. 17:07 – Var.8. Arpeggios in contrary motion. Meant to evoke a violin. (Kissin plays the repeats using the ossia). 17:35 – Var.9. A stark study in legato octaves. 18:35 – Var.10. Huge arpeggio sweeps, with extended harmonic displacement and “delay”. 19:24 – Var.11. Nearly impossible to play. Skittish and scherzo-like. Essentially a scale with hands moving in strict contrary motion, alternating octaves and single notes *outside of the preceding octave*. 19:48 – Var.12. A nocturne, the only variation not in A major/minor. Hemiolas (3/4 against 6/8), syncopation, inner voices. 21:08 – Var.13. Long scalar descents in the gypsy scale, featuring very delicate voicing in both hands. 22:16 – Var.14. Four variations in one. The first is scherzo-like, with the 2/8 meter speeding it up even more. Descending scales over a detached right hand. The second features double-note harmonies in groups of two passed between the hands. The third features smooth arching leaps and descents, in unison an octave apart. In the fourth 2/8 becomes 2/4 and triplet rhythm appears, and after a pregnant pause on a deceptive “dominant” chord, Brahms’ much-beloved polyrhythms close the work.

Channel Title : 169Tom

Views : 67378

Likes : 1017

DisLikes : 9

Published Date : 2017-02-26T06:17:27.000Z

Just by the way, Kaede and Rantaro being shown for Danganronpa V3 does not mean that the theme is associated with them the most. I’m keeping those characters for all Danganronpa V3 themes in these compilations because many of us, including myself, have yet to know the situations these themes play in, and the trailers have made Kaede and Rantaro seem to be important characters. (Kaede has been advertised to be the protagonist, and Rantaro has the Ultimate ??? ability, in which characters with that talent have been essential characters in the previous two games.) 01) 0:00 Danganronpa: Trigger Happy Havoc - New World Order 02) 4:42 Danganronpa: The Animation - New World Order (The Animation) 03) 6:52 Danganronpa Another Episode: Ultra Despair Girls - DSO - New World Order 04) 9:27 Danganronpa 3: The End of Hope’s Peak Academy - Old World Order 05) 11:35 Danganronpa V3: Killing Harmony - New World Order V3 Developer(s): Spike Chunsoft Publisher(s): Spike Chunsoft Composer(s): Masafumi Takada -- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. -- Full playlist of Danganronpa music compilations:

Channel Title : Samuel Cox

Views : 1103411

Likes : 6784

DisLikes : 108

Published Date : 2011-11-16T00:13:10.000Z

A super compilation of all the variations and appearances of the most famous, heart-wrenchingly beautiful LOST theme composed by Michael Giacchino. Taken from the soundtracks of all six amazing seasons. Tracks used:- Charlie Hangs Around, Life and Death, Here Today, Gone to Maui, Looking Glass Half Full, Ji Yeon, Win One for the Reaper, Jumping Jack's Flash, SS Lost-tanic, Oceanic 815, Dharma vs. Lostaways, Under the Knife, Locke'ing Horns, Death Springs Eternal, Moving On. -~-~~-~~~-~~-~- Thanks for watching! I really hope you liked this video. For the latest from me: Please check out my "Beauty and the Beast (2017) Movie Review" -~-~~-~~~-~~-~-

Channel Title : ear8002

Views : 72093

Likes : 247

DisLikes : 14

Published Date : 2012-11-25T05:49:00.000Z

selections suite No 3 choreographer: George Balanchine Darci Kistler Igor Zelensky New York City Ballet 1993

Channel Title : thenameisgsarci

Views : 20777

Likes : 356

DisLikes : 3

Published Date : 2016-03-05T16:16:27.000Z

The Variations stands at the beginning of Lyapunov’s final creative period, which is marked by less spectacular writing and wanton brilliance, increasingly compact harmonies and even greater technical difficulties. A folk theme in the unusual 5/4 metre is soberly stated in the D-sharp Aeolian mode. Despite their complexity, the variations that follow never give in to spectacular runs and ornaments in the Lisztian sense and are limited to the classical development of the melody, or of fragments such as the descending scale taken from the theme’s opening bar. Particularly noteworthy are the second variation with its minuscule homophonic chord jumps; the third for its uninterrupted motion of the inner voice; the imitations in the fourth variation; and a group of variations modulating poetically into the relative key of F-sharp major. The final fugue is what it should be: a demonstration of compositional craftsmanship every bit as impressive as the fugue that concludes Brahms’ Handel Variations, to which it seems to extend a fraternal salute. (Naxos Music Library) Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry. Original audio: (Performance by: Marco Rapetti) Original sheet music:

Channel Title : Nancy Eldridge

Views : 15374

Likes : 145

DisLikes : 9

Published Date : 2013-12-12T21:42:38.000Z

From Solos for Young Violinists, vol. 1 Barbara Barber practice video

Channel Title : EricaseheeHan

Views : 50050

Likes : 261

DisLikes : 17

Published Date : 2014-03-01T18:28:16.000Z

Carl Maria von Weber - Introduction, Theme and Variations Clarinet: Sehee Han(22) (Senior of Seoul National University) Piano: Jiyeon Woo

Channel Title : Rutgers Wind Ensemble - Topic

Views : 10889

Likes : 104

DisLikes : 4

Published Date : 2015-01-22T14:20:01.000Z

Provided to YouTube by NAXOS of America Theme and Variations · Rutgers Wind Ensemble Distinguished Music for the Developing Wind Band, Vol. 5 ℗ 2012 Mark Records Released on: 2012-08-07 Conductor: William Berz Ensemble: Rutgers Wind Ensemble Ensemble: Rutgers Symphonic Band Composer: Timothy Broege Auto-generated by YouTube.

Channel Title : Supernatural Channel

Views : 92949

Likes : 1594

DisLikes : 26

Published Date : 2017-10-31T19:16:16.000Z


Channel Title : Stoned Meadow Of Doom

Views : 242396

Likes : 1792

DisLikes : 51

Published Date : 2014-04-11T17:01:57.000Z

Om is a stoner doom metal band consisting of two of the three members of the legendary stoner doom band Sleep. While guitarist Matt Pike left Sleep to form High on Fire, which has evolved towards a more traditional style of metal; bassist/vocalist Al Cisneros and drummer Chris Hakius have continued the legacy that Sleep created while changing a few elements to make Om something original yet familiar to fans of Sleep. This three song album feature only bass, vocals, and drums, there are no guitars. However, the massive amount of distortion on the bass makes this unnoticeable and the riffing is just as it would be if there were guitars on the album. The use of only one stringed instrument works to give the songs a more stripped down feel than Sleep had. The riffing can be compared to a mixture of the second and third Sleep albums, Sleep's Holy Mountain and Dopesmoker, in the way that it is slow but not quite as oppressively heavy or epic as Dopesmoker. Despite this fact there is plenty of heaviness to be found in the fuzzed out 70s styled trance-inducing riffs that the bass churns out; these riffs are as slow and heavy as you'd expect from ex-members of Sleep. Drum-wise this leans more towards Dopesmoker in the way the drums methodically plod forward and utilize the heavier cymbals to bring out the heaviness of selected parts. Drum production is also reminiscent of Dopesmoker in the natural and live feel that the drums breathe into the music. The vocals are reminiscent of the subdued parts of Sleep's Holy Mountain; the hoarse stoned yells that appear on Dopesmoker are not present here. This subdued quality of the vocals makes them sound like sacred chants, thus adding to the overall ritualistic atmosphere the music invokes. Overall this three song album that runs about 45 minutes long creates a ritualistic atmosphere full of stoner doom heaviness and fuzzed out riffing. Variations on a Theme establishes Om as a well-experienced band that that fans of stoner doom should not pass up. This is probably the closest you'll come to hearing something new from Sleep and it does not disappoint. Debut from hypnotic drone doom band Om! Enjoy! 1. On The Mountain At Dawn - 0:00 2. Kapila's Theme - 21:18 3. Annapurna - 33:15 Check out my new online radio station of the same name! A great station for the best in Psychedelic/Stoner/Sludge/Doom Support the continued funding of this channel, become a Patreon Check out Stoned Meadow Of Doom 2 for more excellent full albums! -

Channel Title : thenameisgsarci

Views : 44789

Likes : 306

DisLikes : 13

Published Date : 2015-08-03T14:48:07.000Z

The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time. In 1811 Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op. 113), which premiered in Pest in 1812. The Turkish March appears as item No. 4 of the incidental music. Many music lovers associate the theme with The Ruins of Athens, although that was not its original appearance. The march is in B flat major, tempo vivace and 2/4 time. Its dynamic scheme is highly suggestive of a procession passing by, starting out pianissimo, poco a poco rising to a fortissimo climax and then receding back to pianissimo by the coda. The theme was first used in Beethoven's "6 Variations on an Original Theme", Op. 76, of 1809. It was dedicated to Franz Seraficus Oliva. (Wikipedia, IMSLP) Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to 480p if the video is blurry. Original audio:

Channel Title : Crash5020

Views : 143441

Likes : 601

DisLikes : 42

Published Date : 2015-06-18T20:08:13.000Z


Channel Title : Piano Tutorials by Kyle Landry

Views : 465300

Likes : 5888

DisLikes : 98

Published Date : 2016-01-25T00:42:24.000Z

My Website: There is a tutorial of the Tetris Theme Variation on Piano! Enjoy! Your Pianist and Composer, Kyle Landry Original Video from my Main Channel Original synthesia video by Mario:

Channel Title : D4rant

Views : 2462500

Likes : 24107

DisLikes : 1622

Published Date : 2017-04-29T17:12:46.000Z

Gravity Falls Theme Song: Original Reverse Shortened Gravity Paws Pixel 8-bit Lego Acapella Alternative Opening / Extended Theme Weirdmageddon Weirdmageddon Shortened Take Back The Falls / Game of Gravity Falls Final Battle ..................Like........................

Channel Title : MyViolinVideos

Views : 38681

Likes : 290

DisLikes : 6

Published Date : 2012-06-17T01:17:29.000Z

Olivier Messiaen - Them and Variations Janine Jansen, violin

Channel Title : Ashish Xiangyi Kumar

Views : 330381

Likes : 4022

DisLikes : 59

Published Date : 2016-07-15T14:11:14.000Z

Rachmaninoff's Variations on a Theme of Chopin are often gently disparaged as a juvenile work -- too long, too rambling, too dark and remorseless. Chochieva's stunning performance reveals this work for the masterpiece it truly is. Where other pianists regularly leave out variations (something Rachmaninoff himself often did in performance), Chochieva plays all 22 variations, and brings to them a great deal of air and light (seriously -- all the dark passages are played with such tenderness!), along with breathtaking phrasing, remarkable contrapuntal clarity, and a vivid sense of imagination. Neither is there self-indulgence -- the tempi are brisk, with Chochieva's recording clocking in at about 3 minutes shorter than the average. And thus the Op.22 is revealed not at all as long or rambling, or dark -- instead, it is tightly knit, full of warmth and generosity, one of the most relentlessly beautiful works Rachmaninoff ever produced (listen to those slow variations -- I really don't think that Rachmaninoff, in one work, ever wrote so many pages so replete with such haunting and luminous beauty). 00:00 -- Theme 01:09 -- Var. 1, Moderato [MOVEMENT I] 01:53 -- Var. 2, Allegro 02:08 -- Var. 3 02:23 -- Var. 4 03:12 -- Var. 5, Meno mosso 03:37 -- Var. 6, Meno mosso* 04:40 -- Var. 7, Allegro 04:58 -- Var. 8 05:18 -- Var. 9 05:39 -- Var.10 06:10 -- Var.11, Lento [MOVEMENT II] 07:38 -- Var.12, Moderato 09:44 -- Var.13, Largo 10:58 -- Var.14, Moderato* (Some truly stunning contrapuntal voicing + dynamic control going on here. Note also how carefully constructed this variation is: the middle voice contains figuration that is borrowed from those little twists in the high registers in Var.13) 12:19 -- Var.15, Allegro scherzando 13:41 -- Var.16, Lento* (One of Rachmaninoff's most inspired yet least-known melodies. It sounds destined for a piano concerto of some sort.) 14:50 -- Var.17, Grave 16:24 -- Var.18, Piu mosso 17:14 -- Var.19, Allegro vivace* [MOVEMENT III] 18:27 -- Var.20, Presto 19:33 -- Var.21, Andante* (A gorgeous and rather Brahmsian canon which ends in an powerful transitionary passage to the final variation) 22:10 -- Var 22, Maestoso* (Think of how much this sounds like Lyapunov in the middle section!)

Channel Title : olla-vogala

Views : 264365

Likes : 1982

DisLikes : 40

Published Date : 2015-11-07T18:37:31.000Z

- Composer: Sergei Vasilievich Rachmaninoff (1 April 1873 -- 28 March 1943) - Performer: Vladimir Ashkenazy - Year of recording: Live in Lugano, Switzerland, 1968(?) Variations on a Theme of Corelli (Вариации на тему А. Корели) Op. 42, written in 1931. The Theme is followed by 20 variations, an Intermezzo between variations 13 and 14, and a Coda to finish. 00:00 - Theme. Andante 01:11 - Variation 1. Poco piu mosso 01:58 - Variation 2. L'istesso tempo 02:38 - Variation 3. Tempo di Minuetto 03:12 - Variation 4. Andante 04:09 - Variation 5. Allegro (ma non tanto) 04:30 - Variation 6. L'istesso tempo 04:50 - Variation 7. Vivace 05:18 - Variation 8. Adagio misterioso 06:15 - Variation 9. Un poco piu mosso 07:28 - Variation 10. Allegro scherzando 08:01 - Variation 11. Allegro vivace 08:24 - Variation 12. L'istesso tempo 09:01 - Variation 13. Agitato 09:33 - Intermezzo 10:59 - Variation 14. Andante (come prima) 12:08 - Variation 15. L'istesso tempo 13:57 - Variation 16. Allegro vivace 14:27 - Variation 17. Meno mosso 15:27 - Variation 18. Allegro con brio 15:59 - Variation 19. Piu mosso. Agitato 16:26 - Variation 20. Piu mosso 17:24 - Coda. Andante The theme is La Folia, which was in fact not composed by Arcangelo Corelli, but was used by him in 1700 as the basis for 23 variations in his Sonata for violin, violone, and harpsichord in D minor, Op. 5, No. 12. La Folia was popularly used as the basis for variations in Baroque music. Franz Liszt used the same theme in his Rhapsodie Espagnole S. 254 (1863). Rachmaninov dedicated the work to his friend the violinist Fritz Kreisler. He wrote to another friend, the composer Nikolai Medtner, on 21 December 1931: "I've played the Variations about fifteen times, but of these fifteen performances only one was good. The others were sloppy. I can't play my own compositions! And it's so boring! Not once have I played these all in continuity. I was guided by the coughing of the audience. Whenever the coughing would increase, I would skip the next variation. Whenever there was no coughing, I would play them in proper order. In one concert, I don't remember where - some small town - the coughing was so violent that I played only ten variations (out of 20). My best record was set in New York, where I played 18 variations. However, I hope that you will play all of them, and won't 'cough'." Ashkenazy plays this piece very well, no 'coughs' in this performance...

Channel Title : foropera

Views : 102883

Likes : 475

DisLikes : 5

Published Date : 2012-09-08T16:01:47.000Z

The extreme virtuosity of the young Kirkland in Balanchine's Theme and Variation (Tchaikovsky), American Ballet Theater, 1978.

Channel Title : Alejandro Diaz

Views : 4689

Likes : 87

DisLikes : 1

Published Date : 2017-07-21T23:50:09.000Z

Performer: Joanne Polk 0:00 - Theme: Adagio malincolico 1:38 - I. Più mosso 2:50 - II. Maestoso 4:12 - III. Allegro ma non troppo 5:18 - IV. Andante alla Barcarola 7:18 - V. Largo con molta espressione /Poco più mosso 10:32 - VI. Quasi Fantasia/Allegro all' 'Ongarese 13:12 - VII. Vivace/Valse lento 15:34 - VIII. Con vigore/Lento calmato 17:54 - Marcia funerale 22:58 - Cadenza. Grave/Quasi fantasia/Maestoso come Var.IIdo/Adagio come prima Liner notes: Amy Beach (1867-1944) wrote: “How inevitable it was that music should be my life’s work. Both in composition and piano playing, there seemed to be such a strong attraction… that no other life than that of a musician could ever have been possible for me.” Beach’s compositions for piano are products of those powerful dual attractions. At age sixteen she made her debut in Boston as a concert pianist; within two years she was playing solo with the Boston Symphony Orchestra. A few years later she had an equally stunning breakthrough as a composer with the premiere of her monumental Mass in E-Flat, Op. 5, for vocal soloists, chorus, and orchestra. This led to her acceptance as a member of the Second New England School of composers. Beach found further support for her concert career and her compositions from the major performing organizations in Boston who presented her works. Over a lifetime she created over 300 compositions, almost all published and performed in the United States, Europe, and as far away as Australia. Born Amy Marcy Cheney in the small town of Henniker, New Hampshire, she was brought up in Boston, where at age 18 she married Dr. Henry Harris Aubrey Beach. At his request, she agreed to limit her public appearances as a concert pianist to one or two a year and concentrate on composition, a calling her husband considered more appropriate to her new status as a society matron. Increasingly, she introduced her own works on her annual recitals. In 1904, she created a major and deeply affecting work, Variations on Balkan Themes, Op. 60, that quickly became a staple of her recital repertory. Its composition grew out of an abiding interest in folk music. Although Balkan folk songs were not part of the American musical mainstream, the region was much on the minds of the American public at the time. A recent uprising by Macedonian nationalists had provoked cruel and repressive measures by the ruling Turks. Beach created the variations out of not one but four themes given to her by a missionary to the Balkans: O Maiko Moyá, Stara Planina, Nasadil ye Dadó (Grandpa has Planted a Little Garden) — a children’s dance song, and a lament entitled Macedonian!. While the use of more than one theme is unusual for a variation form, the Serbian song, O Maiko Moyá, is the principal theme, and appears in each of the eight variations, in the cadenza, and the coda. Its text, in the translation printed in Beach’s edition, reads: O my poor country, to thy sons so dear, Why art thou weeping, why this sadness drear? Alas! thou raven, messenger of woe, Over whose fresh grave moanest thou so? The words refer to the toll in lives taken by the foreign rulers of Serbia some time during their five-century-long domination of what later became part of Yugoslavia. Beach wrote that she introduced the other melodies for their dramatic effect and to set off the melancholy character of the principal theme. The distinctive elements in these Balkan melodies lend an exotic flavor to almost every variation — the pathos-laden augmented seconds, the changes from minor to major, the alternation of duple and triple meters, and the modal scales on which the melodies are based. Beach however set these exotic melodies to lush late-Romantic harmonies that suggest western rather than eastern Europe, while creating a tragic quality that fits the subject. Beach, once seized by an idea, worked very quickly, in this case completing the variations in eight days. The work is by turns a lament (Theme and Variation 1), a dramatically gestural polonaise (Variation 2), a scherzo (variation 3), a barcarolle (Variation 4), a cantabile variation in the major mode (Variation 5), a fantasy on three of the four themes (Variation 6), a slow bitter-sweet waltz (Variation 7), and a recitative and funeral march that rises to a dramatic climax (Variation 8). These are capped by a Lisztian cadenza in which three of the four themes are recapitulated, ending with the final statement of two themes, O Maiko Mayó and Macedonian!. One of their most effective solo piano works, it is presented here in its original version (a revised edition for solo piano appeared in 1936). Beach gave the premiere while the variations were still in manuscript, on 8 February 1905 at a piano recital at Huntington Chambers Hall in Boston. The reviewer for the Boston Evening Transcript was impressed, stating that from the four themes “Mrs. Beach has developed a series of compositions marked by deep feeling and great variety and richness.”

Channel Title : HenriVieuxtemps

Views : 305692

Likes : 3677

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Published Date : 2012-07-21T19:09:57.000Z

Henryk Wieniawski (1835-1880) Variations on an original theme op. 15 in a violin + piano Maestoso Andante ma non troppo Theme Allegretto Var1 Var2 Poco piu lento Var3 Risoluto Finale Tempo di valse Coda Allegro vivace

Channel Title : professorimprov

Views : 3416

Likes : 13

DisLikes : 1

Published Date : 2016-09-14T05:15:59.000Z

Haydn Theme and Variations

Channel Title : Brian Gossard

Views : 15236

Likes : 118

DisLikes : 6

Published Date : 2014-04-07T15:33:14.000Z

This is a quick song and video I made to help my students remember what Theme and Variations form is.

Channel Title : 169Tom

Views : 44677

Likes : 553

DisLikes : 10

Published Date : 2017-04-02T21:46:45.000Z

Everything should be *fine* now. Apollo's theme that plays in the movie is named as Phoenix's Objection theme because Apollo's theme plays as part of the track named after Phoenix. This compilation is not about themes relating to Apollo as a character. It's just a compilation of remixes of his theme. The Final Witness and the clip from the cinema version are definitely remixes of Apollo's theme even though Apollo doesn't appear in the media those themes came from. (In the Final Witness, the melody of the Apollo's Objection theme is played by the deeper-sounding instrument, so it is obscured by the other sounds going on in the theme, but Apollo's theme is definitely there.) 01) 0:00 Apollo Justice: Ace Attorney - ​Apollo Justice ~ A New Trial is In Session! 02) 3:00 Apollo Justice: Ace Attorney - ​End 03) 4:04 Professor Layton vs Phoenix Wright - The Final Witness 04) 7:04 Phoenix Wright: Dual Destinies - Apollo Justice ~ A New Chapter of Trials! 2013 05) 10:04 Phoenix Wright: Dual Destinies - Apollo Justice ~ I’m Fine! 06) 13:04 Phoenix Wright: Spirit of Justice - Apollo Justice ~ A New Chapter of Trials! 2016 07) 16:04 Phoenix Wright: Spirit of Justice - End 08) 19:18 Gyakuten Saiban Movie - Phoenix Wright ~ Objection! 2001 (Cinema) 09) 20:36 Gyakuten Meets Orchestra - Apollo Justice ~ A New Trial is in Session! Developer(s): Capcom Publisher(s): Capcom

Channel Title : Sergey Neverov

Views : 15683

Likes : 90

DisLikes : 3

Published Date : 2012-07-26T12:35:54.000Z

Radom Chamber Orchestra (Poland). Conductor Sergey Neverov Brahms Symphony No.3 (3rd movement)/Sergey Neverov (conductor):

Channel Title : String Puppies

Views : 20552

Likes : 254

DisLikes : 7

Published Date : 2015-06-19T20:34:23.000Z

Yo! Go watch our last vid: "What About Us - P!nk - Violin and Bass cover" -~-~~-~~~-~~-~- With the utter chaos of dinosaurs running wild throughout the arena, David and Mikey found refuge in the only place to stay safe - the Men’s bathroom. It actually has a nice natural reverb too, don’t you think? After seeing Jurassic World 3D in the movie theatre we were inspired to record our version of the movie’s beautiful theme song. This live cover version features only the Violin and Bass, recorded live with no overdubbing or post editing. Don’t be shy to comment, share and subscribe - we don’t bite! Subcribe here: Check out our different playlists on our channel: Official website: Listen to just the music: Thank you! -String Puppies

Channel Title : Orchestra Foster Kids

Views : 9792

Likes : 71

DisLikes : 10

Published Date : 2013-05-31T22:15:52.000Z


Channel Title : 169Tom

Views : 23865

Likes : 401

DisLikes : 2

Published Date : 2017-04-18T21:44:11.000Z

Just by the way, Kaede and Rantaro being shown for Danganronpa V3 does not mean that the theme is associated with them the most. I’m keeping those characters for all Danganronpa V3 themes in these compilations because many of us, including myself, have yet to know the situations these themes play in, and the trailers have made Kaede and Rantaro seem to be important characters. (Kaede has been advertised to be the protagonist, and Rantaro has the Ultimate ??? ability, in which characters with that talent have been essential characters in the previous two games.) This compilation consists of any theme in Danganronpa containing a rendition of the main theme. There are phase and chapter results sound effects that are used in the Japanese version of Danganronpa 1 that contains a bit of the main theme, but they only last about five seconds, so they can hardly be called soundtracks. DANGANRONPA FUTURE MIX V3 is not in this compilation because that track is no different than the Future Mix of the Danganronpa 3 anime. 01) 0:00 Danganronpa: Trigger Happy Havoc - DANGANRONPA 02) 1:35 Danganronpa: Trigger Happy Havoc - Dangan Ronpa! 03) 2:40 Danganronpa: Trigger Happy Havoc - DANGANRONPA (Danganronpa Version) 04) 5:30 Danganronpa: Trigger Happy Havoc - Climatic Return 05) 6:35 Danganronpa 2: Goodbye Despair - DANGANRONPA SUPER MIX 06) 8:10 Danganronpa 2: Goodbye Despair - Dandandanganronpa! 07) 9:15 Danganronpa 2: Goodbye Despair - DANGANRONPA [2nd GIG] 08) 12:05 Danganronpa Another Episode: Ultra Despair Girls - DSO DANGANRONPA 09) 13:40 Danganronpa 3: The End of Hope’s Peak Academy - I'm Home ~Hope's Peak Academy~ (only part of the track) 10) 13:56 Danganronpa 3: The End of Hope’s Peak Academy - DANGANRONPA FUTURE MIX 11) 15:26 Danganronpa V3: Killing Harmony - DANGANRONPA V3 12) 17:18 Danganronpa V3: Killing Harmony - Danganronpa! Vee Three! 13) 18:22 Danganronpa V3: Killing Harmony - Good Bearning! (only part of the track) 14) 18:39 Danganronpa V3: Killing Harmony - DANGANRONPA V3 Loop Version 15) 21:07 Danganronpa V3: Killing Harmony - DANVEGAS 16) 23:32 Danganronpa V3: Killing Harmony - Monomono Slots (only part of the track) 17) 24:20 Danganronpa V3: Killing Harmony - Climactic Return V3 18) 27:15 Danganronpa V3: Killing Harmony - Opening Movie 19) 28:12 Danganronpa V3: Killing Harmony - DANGANRONPA V3 Full Version 20) 30:24 Danganronpa V3: Killing Harmony - V3 Gallery Music 21) 31:32 Danganronpa V3: Killing Harmony - Opening Movie Revised 22) 32:46 Danganronpa V3: Killing Harmony - Trial Prepare 23) 33:37 Danganronpa V3: Killing Harmony - The Trial of Monokuma Developer(s): Spike Chunsoft Publisher(s): Spike Chunsoft Composer(s): Masafumi Takada -- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Channel Title : ♫HQ Classical Music♫

Views : 18187

Likes : 159

DisLikes : 4

Published Date : 2016-03-07T17:24:34.000Z

Performer : Aya Higuchi

Channel Title : HarpsichordA6

Views : 98092

Likes : 564

DisLikes : 21

Published Date : 2014-11-01T21:30:45.000Z

Rossini Introduction Theme and Variations for Clarinet and Orch in B flat major

Channel Title : Jean Carlotto

Views : 47153

Likes : 286

DisLikes : 15

Published Date : 2013-09-03T15:18:18.000Z


Channel Title : Emanuel Estrada Yarce

Views : 437847

Likes : 1921

DisLikes : 41

Published Date : 2012-12-28T22:31:38.000Z

A favourite for centuries among European composers, the ancient theme of the folia inspired a number of works, including Fernando Sor's Variations. Op. 15. Borrowing from this theme and the first two variations, Llobet adds eight more variations and a romantic Intermezzo that display an ingenuity in modern harmonic technique with devices exploiting several technical aspects of the guitar, including left-hand only variation, harmonics and quick slurs. To Miguel Llobet is given the credit for bringing the classic guitar into the modern musical world of international concert tours, for contributing new works to the repertoire, for presenting to the public in performance the new works of such composers as Falla, Villa Lobos, Ponce and others, for teaching, organizing and expanding the pedagogical principles of Tarrega, and, of utmost importance, for having made the first electric recordings of the classic guitar. Kyuhee Park Recital on NHK Guitar: Daniel Friederich 2009, France Same concert: L. Brouwer: Sonata III "La Toccata de Pasquini" D.Scarlatti: Sonata K322 F. Tarrega: Recuerdos de la Alhambra A. Barrios: Un Sueño en la Floresta J. Arcas: Fantasy on Themes from "La Traviata"

Channel Title : Project Destati

Views : 9449

Likes : 466

DisLikes : 0

Published Date : 2018-07-06T15:30:04.000Z

Out now! --- "Dearly Beloved II" is our second version of Shimomura's iconic "Dearly Beloved" melody, following the one we first created in LIGHT. For DARKNESS, we decided to write a theme and variations of all the different "Dearly Beloved" arrangements that we've been given throughout the games, melded together in a way that tracked the history of the series. Of note: every single character in Kingdom Hearts is quoted somewhere throughout this piece in some form--we thought it might be fun to hide them around! You may also notice an additional original melody that we often paired with "Dearly Beloved" in order to help link the arrangement together as a cohesive whole. Thank you for listening to DARKNESS; we hope you enjoyed the stories we told in the various tracks throughout this collection! --- PROJECT DESTATI: DARKNESS In celebration of KINGDOM HEARTS and the stunning melodies of Yoko Shimomura, Utada Hikaru, Takeharu Ishimoto, and Tsuyoshi Sekito, we present Project Destati’s second volume. DARKNESS is the highly-anticipated follow-up album to Project Destati’s 2014 Billboard-charting soundtrack album “LIGHT.” The album is a musical amalgamation of fan-favorite themes from the KINGDOM HEARTS series, re-assembled in an all-new fashion like long-forgotten memories. Featuring a live string orchestra and industry-leading soloists, DARKNESS is a dark, grand, and mysterious musical experience that aims to capture Tetsuya Nomura’s own imagination. SUPPORT US: Bandcamp: iTunes: Spotify: Google Play: Amazon MP3: Deezer: KKBOX: Tidal: --- David Russell: Producer Kristin Naigus: Producer Sebastian Wolff: Producer Anastasia Korochanskaya: Album art Disney Interactive: Special Thanks Jett Galindo: Mastering Engineer (The Bakery) Square Enix: Special Thanks Todd Maki: Special Thanks ©Ⓟ 2018 Project Destati KINGDOM HEARTS is © 2002 Disney/Square Enix. Materia Collective LLC, Project Destati, and artists on this album are no way affiliated, associated, authorized, endorsed by, or in any way officially connected to Disney/Square Enix with respect to this album. Musical compositions are used with permission. Mechanical licensing facilitated by re:discover, Inc. d/b/a Loudr. © 2018 Sebastian Wolff d/b/a Project Destati. All Rights Reserved. ♥

Channel Title : tinymozarts

Views : 11420

Likes : 87

DisLikes : 4

Published Date : 2015-04-18T20:31:38.000Z

TEACHER DEMO (supplementary suggestions below) Buy "Alfred adult book 2" here: Almost ready to start book 3? Buy now: Equivalent piano exam level: Alfred adult greatest hits 2: Alfred adult christmas hits 2: The Complete book of Scales, Chords, Arpeggios and Cadences: Digital pianos (the brand I own and recommend is Roland): Gifts for pianists: Please like and subscribe if this video was helpful :) DISCLAIMER: This description contains Amazon affiliate links. If you click on a product link and make a purchase I will receive a small commission. Thank you for supporting my channel!

Channel Title : MartialVidz

Views : 1334595

Likes : 6084

DisLikes : 220

Published Date : 2013-07-13T17:28:00.000Z

Sakari Oramo: Conductors - The BBC Symphony Orchestra Rachmaninov: Rhapsody on a Theme of Paganini - BBC Proms 2013 (Stephen Hough : Piano ) Sakari Oramo: conductor (The BBC Symphony Orchestra's Chief Conductor ) Presenter: Katie Derham at the Royal Albert Hall - London 2013 Source Info:

Channel Title : Bernard Chevalier

Views : 2443

Likes : 27

DisLikes : 0

Published Date : 2015-07-05T22:06:22.000Z

Marsha Chevalier, piano; recorded June 2015 Guido Papini op. 59


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