Waves Of Emotion Main Videohelper Boutique Music Library....!

About 20 results out of 534 (0.23 seconds)
    

Channel Title : Videohelper

Views : 8380

Likes : 142

DisLikes : 3

Published Date : 2017-04-11T17:15:32.000Z

Intimate but earth-shattering loss. Alternating between slow, delicate harp-like piano passages that communicate the exquisite pain of losing something close to you, like a lover, parent or testicle, and contrasting against sections of swelling orchestral strings, large percussive batteries and atmospheric synth pads that make the loss feel more epic and global in scale. A simple, climbing melody offers a hint of hopefulness, or for those "glass-half-empty" types, a tougher, more martial-sounding drum break @2:12 suggests higher hurdles to overcome. Good for the pain of losing a spouse (or the pain of still having one), memorials, funerals and ecological disasters.
    

Channel Title : Videohelper

Views : 4188

Likes : 82

DisLikes : 1

Published Date : 2017-04-11T17:15:11.000Z

Sad but hopeful New Age-ish solo piano piece appropriate for lost pets, fond memories and reminding people that hope is everywhere - along with stupid people, ninjas and people who think cologne is a substitute for personal hygiene. Atmospheric, waterdrop-like piano starts very slow, ambient and serene, but varies in tenor and mood, getting cascading and pretty @2:03 and 2:44. A simple, echoing section @3:20 gives the impression of isolation and loneliness.
    

Channel Title : Videohelper

Views : 1372

Likes : 16

DisLikes : 0

Published Date : 2017-04-11T17:14:40.000Z

Futuristic, important-sounding, foreboding, and slightly full of itself, as it's rebuffed many of my amorous advances. Two linear builds (at top and @:48) that start small, sterile and mathematical then grow into large, tonally-climbing, proud orchestral remix-like celebrations of triumph over adversity. Starting with percolating synths, low piano and a woman's vocal pad, this cut gets bigger and more propulsive with rhythmic waves of strings, low brass and drums, all growing more intense. A mix of artificial/informational and organic drama that's good for image spots and overcoming the odds.
    

Channel Title : Videohelper

Views : 56

Likes : 1

DisLikes : 0

Published Date : 2017-04-11T17:13:50.000Z

Dream-like, reflective AltRock nostalgia transforms into uplifting, anthemic Pop/Rock. Starts with delayed electric guitars, percolating synths, electric bass and wave-like "breathing" brass/guitar swells that create a feeling of isolation, loneliness and stabbing head pain because I ate ice cream too fast. @:36 busy drums and a positive shift mood-wise builds until :54 where the cut becomes fullest and most triumphant, adding tambourines and a soaring electric guitar lead. Good for ultra-slow dissolves, gauzy images and overcoming the odds.
    

Channel Title : Videohelper

Views : 9159

Likes : 184

DisLikes : 10

Published Date : 2017-04-11T02:10:52.000Z

Have a serious, important and intensely personal decision to make? Like a complex relationship, pulling the plug on a loved one (who might not even be attached to a respirator) or an uncomfortable 64th-term abortion? This slower, waltz-like intricate bed of movement starts as a modern classical stately and dignified canon, with repeating processed cello ostinatos/melody and synth bass/pads that suggest sadness and emotional weight. Acoustic drums and piano enter @:56 giving the cut an Alt/Indie or Post-Rock feel, with a simple distorted baritone sax @2:21, adding to the sense of gravity and loss. Good for PSAs, sad memories, intellectual conflicts and slowly walking off into the sunset.
    

Channel Title : Videohelper

Views : 569

Likes : 12

DisLikes : 0

Published Date : 2017-04-11T16:18:27.000Z

The anguish of waiting. The emotional equivalent of getting a phone message from your crying gynecologist that says "call me immediately," this dark, tense cut ratchets subtle tension into dangerous/sinister tension quickly. Starting simply with slow, simple acoustic/electronic drums, delayed shifting synth pads and low synth bass, the piece builds in tenor and foreboding @:08 until you feel like you're being stalked, hunted or the Hare Krishnas think you're interested in learning more. A ticking, suspenseful, time-is-passing bed @:32 builds into a climbing, foreboding, stuttering break @:57 leading into the main theme with pounding drums and choral voices. Good for investigations and horror.
    

Channel Title : Videohelper

Views : 602

Likes : 11

DisLikes : 1

Published Date : 2017-04-11T02:10:41.000Z

What growing panic sounds like. Suspenseful and fast, this cut features large groups of hand/metallic/frame percussion, stuttering Gothic-ish choirs, and tonally rising pads of machine-like synth pads - all suggesting that the world is ending, you're being chased by speech-impaired gangs, war is imminent or death has texted you with "where u at?" Basically, various permutations of percussive beds that build in tenor, size, pitch or all of the above.
    

Channel Title : Videohelper

Views : 103

Likes : 3

DisLikes : 0

Published Date : 2017-04-11T02:10:03.000Z

Refreshing, wholesome acoustic music for green English countrysides and wistful reflections. Warm, positive, feel-good Indie Folk/Alt Country remix that both melodically references and uses processed orchestral snippets from Tchaikovsky's '1812 Overture'. Starting with acoustic guitars, mandolin, banjo, accordion, piano, electric bass and percussive stamping/clapping with vocal "hey"s providing accents. Pauses @:31 to get introspective and slightly sad, but bounces back to uplifting @:44. Gets most heartwarming @1:16, by adding catchy "ohh"-ing vocal hooks from a group of good ol' boys. Good for suggesting family, good memories, Americana and small towns.
    

Channel Title : Videohelper

Views : 451

Likes : 5

DisLikes : 0

Published Date : 2017-04-11T01:56:05.000Z

[INTENSE BATTLE MUSIC] Great for combat of any kind: wartime, political or sports (e.g. it’s perfect for football). Towering brass and heavy snares instantly say clash of two mighty forces. Changes @:52 to faster feel – same tempo though – but with superfast trumpet figure ratcheting up the drama quotient considerably. Has suspensefully held note @1:25, before finishing itself off with a self-contained ending filled with brass and snares. Sounds like John Williams, James Horner, Howard Shore or James Newton Howard.
    

Channel Title : Videohelper

Views : 81133

Likes : 209

DisLikes : 110

Published Date : 2017-04-11T17:15:11.000Z

Epic, epically-orchestral epicosity. (OK, can we all please stop using the word epic now?). A giant-sounding orchestral theme places meaty brass chords over swirling, urgent strings, with a huge choir soaring above it all. The CGI army stretches as far as the eye can see, and it's about to charge. If The End of the World meets the Beginning of Time and The Final Showdown for dinner, this is playing during the dessert course. Is great for imparting a cinematic sense of scope and features one of the hugest endings of all-time starting around 1:03.
    

Channel Title : Videohelper

Views : 225

Likes : 7

DisLikes : 0

Published Date : 2017-04-11T02:10:26.000Z

Perky, optimistic but also relaxing - like having an all-angel cheering section or being in a dreamy rave. Reverbed wave-like synth chords, electronic kick and synth bass/leads create flowing movement beneath a male/female melody comprised of "heys." @:14 driving drums enter, giving it forward momentum and an optimistic, uplifting feel. A percolating bed of synths @:29 suggests a brief foray into Dance/science/technology before the Alt Rock returns @:44. Good for lightweight motivational stuff and positive futures.
    

Channel Title : Videohelper

Views : 816

Likes : 18

DisLikes : 0

Published Date : 2017-04-11T17:14:38.000Z

Beautiful and haunting woman's vocals grow into a proud, epic choral celebration. A solo woman's voice echoes over delayed cimbalom/electric guitar, string pads, and low synths, creating a questioning, almost lamenting feel, until a pounding build to :17 when a larger-than-life choir and orchestra enter, resulting in a positive, life-affirming wash of emotion. She's back @:31, returning to the neutral-to-mysterious feel - until the choir/orchestra and a battery of percussion returns @:58, letting us know that all will be well. Good for beating the odds, sports/Olympics, and re-affirming life. (Also: BG)
    

Channel Title : Videohelper

Views : 45

Likes : 0

DisLikes : 0

Published Date : 2017-04-11T01:57:12.000Z

Longer version that evolves more slowly with more breakdowns and separate beds of each mix element, at times feeling more applicable to spy stories or even sports.
    

Channel Title : Videohelper

Views : 213

Likes : 9

DisLikes : 0

Published Date : 2017-04-11T02:10:36.000Z

[BROOKLYN INDIE ROCK MEETS A PEP RALLY] Vocal "ohs" start piece, with a big "I wanna" line in @:26. Processed guitars throughout create an aggressive, but fun, tone. Breaks down completely @1:08, but builds to an almost marching-band like section @1:38. Good for sass, attitude and sassitude.
    

Channel Title : Videohelper

Views : 3

Likes : 1

DisLikes : 0

Published Date : 2017-04-11T16:17:16.000Z

Dustbowl Spaghetti Western love story with haunting mysteriousness. Between the wooden cajon percussion, the acoustic guitars, reverbed electric guitars and lamenting, atmospheric and slightly sexy (YMMV, as I find Dora the Explorer hot) vocals, this cut suggests loss and isolation resolving in hope and redemption. The second half is a vocal-free bed of percussion and guitars, with vocals making a brief appearance @:50 but then disappearing-as we assume the vocalists are now busy going at it. Good for emotional longing and voyages of self-discovery.
    

Channel Title : Videohelper

Views : 103

Likes : 1

DisLikes : 0

Published Date : 2017-04-11T02:10:27.000Z

Dark technological/psychological tension that escalates into slow-motion violence faster than a whale family Thanksgiving. A bed of slow heavily filtered guitars and electronic drums over ambient piano sounds and a pulsing synth rhythm explodes @:16 into a wave of drum-driven drama. After :30, a bleak, suspenseful bed of synth pulsing and back-tooth rattling low brass atmospherics explodes back into the drama @1:02. This is music for the middle of the night, when you find yourself making explosives, having illicit sex or crying. Maybe all three.
    

Channel Title : Videohelper

Views : 273

Likes : 6

DisLikes : 0

Published Date : 2017-04-11T01:55:26.000Z

Imagine leather-clad cheerleaders: tough, tattooed and laced with chlamydia but surprisingly peppy. Simple, delayed attitudinal women's vocals ("Ay" and "whoa") start us off, along with electronic drums, stamping, clapping and processed percussion, suggesting a half-happy/half-dangerous feel, like a dimly-lit steam-covered street from a Ridley Scott movie or 80s video. @:09, pulsing synths, driving electric bass and simple electric guitar lead suggest Reggaeton, 80s New Wave and a desperate need for lyricists. Good for street sports, urban landscapes, challenging others to "stomp the yard" and strutting, except if you're an emu, who strut regardless of having chlamydia or not.
    

Channel Title : Videohelper

Views : 2361

Likes : 35

DisLikes : 0

Published Date : 2017-04-11T16:17:46.000Z

Celebratory World music which signifies that either the planet has joined hands in peace. Starts with a bed of fast-moving/neutral wooden and metallic percussion, then strings and a huge, triumphant choir enter @:09, leaving no doubt something good has happened. @:40 the cut begins a slightly tense build, with evenly spaced percussive/vocal slams @:59 that build back to the full, climactic mix @1:12 Good for PSAs and anything majestic. (Also: BG)
    

Channel Title : Videohelper

Views : 323

Likes : 7

DisLikes : 0

Published Date : 2017-04-11T02:10:00.000Z

The musical equivalent of two dinosaurs either fighting or having sex. Hard to read dinosaurs, sometimes. Street savvy and cocky, this attitudinal, Reggae-tinged orchestral Rock cut feels like a knifefight. Starting with a gritty electric bass, atmospheric electric guitar slides/stabs and an expectant series of acoustic drum hits, suggesting a tense standoff, the cut erupts @:11 with blasts of low horns, more electric guitars and marching band drums, suggesting a sports showdown or combat. A bed of delayed electric guitars @:33 builds back to the brash, blaring main brass blast-driven theme but adds call/answer string and vocal hooks starting @:50. Good for large-scale sports, bitter rivalries, important events and violent confrontations.
    

Channel Title : Videohelper

Views : 185

Likes : 2

DisLikes : 0

Published Date : 2017-04-11T02:10:59.000Z

The Chuck Norris of extreme sport Rock. Sharp-edged and aggressive cut that would body surf a tsunami or catch a bullet in its bellybutton (if it or Chuck Norris even needed one). Features uptempo, gritty electric bass, pounding acoustic drums, distorted guitars and avalanches of guitar noise. Filled with breaks and builds, this cut pares down the mix for the second half and explodes back into intense action @:59 with even more guitars and attitude. Good for rough sports, investigations and fast cutting.
    

Channel Title : Videohelper

Views : 39

Likes : 0

DisLikes : 0

Published Date : 2017-04-11T02:10:36.000Z

"And here's where the psychotic clown murdered your family." Tense, mysterious and eerie cut that uses an atonal bell melody over sporadic waves of swelling synths/brass, stretched metal sounds, atmospheric vocals, sparse wooden percussion and chirping electronics. The cut switches from slow, spare, haunted atmospherics to faster, heavier percussive sections throughout. The quiet parts are the worst, though. You just know there's going to be a creepy-looking doll.
    

Channel Title : Videohelper

Views : 311

Likes : 4

DisLikes : 0

Published Date : 2017-04-11T17:14:41.000Z

Positive growth and hopeful enterprise. A longer, more bed-like variation of the MAIN version, this cut still gives the impression of forward momentum and growth, with 30% less "stuff" and the lead guitar parts removed. Good for corporate videos, time passing and suggesting people working together but without all that warm/friendly bullshit.
    

Channel Title : Videohelper

Views : 351

Likes : 4

DisLikes : 0

Published Date : 2017-04-11T17:15:13.000Z

This laid-back and attitudinal Ambient/Indie Rock track features a male vocal (in @:24) with lyrics about liking someone - but without wanting to fall in love. Reversed samples, Hip-Hop drum machines, claps and sine-wave synth bass suggest toughness and heartbreak. The addition of a cello @2:14 compounds the feeling of heartbreak. Good for looking back at failed relationships, romantic angst and loneliness. LYRICS: I was five footsteps from the door where she works And now I'm headed home I sat here enough and I just had a feeling. Oh I'd like to take her out, maybe go... who fucking knows? If you and I could share the missing note. Without falling in love. If you'd never be scared of speaking up around the ones you like. If they're falling in love If you'd never be scared of speaking up around the ones you're like.
    

Channel Title : Videohelper

Views : 410

Likes : 10

DisLikes : 0

Published Date : 2017-04-11T16:16:46.000Z

Waging war? Championship boxing match? Neighbor leave dog poop on your lawn again - and doesn't even have a dog? This percussion-heavy in-your-face aggressive, gritty and cinematic Industrial Rock cut uses an unrelenting mid-tempo battery of acoustic/electronic drums and grinding synth bass to provide a moving undercurrent for blaring, intimidating brass/synths that build in tenor and size until it climaxes @:29 and at the end. A bed of marching-like percussion and simple climbing synths begin @:31, suggesting tension and suspense, returning to the main, threatening mix @1:06. Appropriate for violent sports, military conflicts, gladiatorial combat and investigations.
    

Channel Title : Videohelper

Views : 26

Likes : 0

DisLikes : 0

Published Date : 2017-04-11T01:56:14.000Z

"Listen to this special report or you're gonna die/explode/have a panda toss your salad!" Dramatic, fast, movement-filled delayed acoustic piano, reversed cymbals, and ticking electronic drums are punctuated with huge, reverbed piano-body hits, suggesting that your child IS in danger or your Mom was right about that whole going blind thing. @:32, the cut pauses for a brief retrospective, thoughtful piano interlude, crashing back into fast, driving piano drama @:47. Good for local news investigations, fast cutting and remembering what news promos sounded like in 1994.
    

Channel Title : Videohelper

Views : 362

Likes : 7

DisLikes : 0

Published Date : 2017-04-11T01:55:37.000Z

Something angry is coming. Slowly. Threatening, dark and panic-inducing, with slow waves of brassy synths and pounding percussion, orchestral string hits and acoustic drums suggest impending death, being invaded by opposing armies or just the nightmarish realization that your manatee-like dentist might have taken liberties with you while you were under anesthesia. Driving, more aggressive drums @:23 suggest marching and highly organized threats. Good for investigations, military conflicts and being overrun.
    

Channel Title : Videohelper

Views : 719

Likes : 10

DisLikes : 0

Published Date : 2017-04-11T01:56:54.000Z

The Spy Who Ate Me. Spy/Action music with a wink for overweight agents, unsubtle assassinations and ejector seat mishaps. Aggessive Heavy Rock guitars start the cut with stabs growing and building in intensity until :14 when we add drums and orchestral bombast, with a hit-filled crescendo of action and exhausted brass players. The second half settles into a bed of mild espionage-like activity with revolving string pads and a four-on-the-floor kick that grows into an overwhelmingly large, tonally climbing orchestral build @1:02.
    

Channel Title : Videohelper

Views : 265

Likes : 3

DisLikes : 0

Published Date : 2017-04-11T17:15:24.000Z

Positive/suspenseful mystery. Kind of like pondering the world's wonders or trying to figure out what a stranger's Chinese butt-crack-level tattoo means. From the ticking clock percussion and processed wailing woman's vocals, the cut has a mystic feel, even as batteries of hand- and orchestral percussion enter @:09 followed by waves of synths @:19. @:36 a plaintive electric guitar creates a sense of isolation and vastness, only to build into intense percussive activity @:57. (Also: ALT)
    

Channel Title : Videohelper

Views : 564

Likes : 8

DisLikes : 0

Published Date : 2017-04-11T02:11:20.000Z

Shiny, technology-friendly synth arpeggios contrast against explosive, brutally large orchestral brass/synth blasts, percussion and fast, chugging, electric guitar. Longer breakdowns of the MAIN version's bluster-filled call-to-arms, with various loopable beds that work for sports, dramatic conflicts, image spots and the feeling that a beatdown is either going to be given or received.
    

Channel Title : Videohelper

Views : 309

Likes : 5

DisLikes : 1

Published Date : 2017-04-11T01:55:58.000Z

Need to show fast progress or something getting more complex and threatening? Rattling metals, ticking sound design and processed strings creating a tense bed of movement that brings in more and more pounding percussion and vocal pads create an uptempo, linear build to :29. A sudden attack of chamber string-fueled dignity @:42 grows in size until it's a giant, pounding, dense onslaught @1:01, suggesting being overrun by buffalo or having the 101st Airborne invade a hot tub.
    

Channel Title : Videohelper

Views : 830

Likes : 22

DisLikes : 1

Published Date : 2017-04-11T01:57:00.000Z

Badass entrance music. Sultry, slow, seductive Blues/Soul-tinged, Brass-driven retro-modern Rock/Funk suggests steamy city streets, attitudinal strutting and my own failures to meet women, including never realizing that my local bar ("The Crowded Closet") was, in fact, a gay bar. Electric bass, electric piano, drums, spring-reverbed electric guitar and a R&B Brass section that practically drips coolness and attitude. Various sections, like the introspective-feeling solo piano break @2:06, provide alternate bravado-laden mixes, all starting small and getting more intolerably self-assured and confident, giving me the courage to try again at "Members Only," another bar in my neighborhood. Sounds fancy!
    

Channel Title : Videohelper

Views : 210

Likes : 3

DisLikes : 0

Published Date : 2017-04-11T01:56:05.000Z

Go from wuss to winner in under :30 with this mid-tempo, measured but celebratory orchestral/pop/rock hybrid! Set the stage for the challenge of a lifetime!! Or on Lifetime!!! A dramatic piano/string-driven open places obstacles in your path, but @:20, you're into positive territory as swelling orchestra and electronic beats cheer on your certain awesometude. Useful for sports, news generics or even celebrity/reality-show comeback stories. Section starting @:31 is a unique, pulsing, electronic kick and tremoloed half-time orchestra that gives the impression of growth, timelapse or evolution. The full, positive, life-affirming mix @:59 suggests someone has won.
    

Channel Title : Videohelper

Views : 197

Likes : 7

DisLikes : 0

Published Date : 2017-04-11T01:55:58.000Z

No vocals and a more gradual build to orchestra bombast (with slightly less percussion), this cut features a variety of smaller, loopable beds from the original.
    

Channel Title : Videohelper

Views : 9

Likes : 0

DisLikes : 0

Published Date : 2017-04-11T17:14:14.000Z

30 second version.
    

Channel Title : Videohelper

Views : 1423

Likes : 13

DisLikes : 0

Published Date : 2017-04-11T17:15:09.000Z

Need to suggest the passage of time? Alternating between long periods of atmospheric mystery, featuring delayed synths, tentative electric guitars and a woman's breathy vocals, and periods of straightforward, neutral-to-positive industrious beds of delayed synths and guitar, suggesting growth, evolution or light information. Gets biggest and ultra-uplifting @1:49 with rising strings, brass and percussion. Good for explainer videos, espionage, technology and mild suspense, like watching someone do a complex math problem. Boy, that sounds fun.
    

Channel Title : Videohelper

Views : 453

Likes : 8

DisLikes : 0

Published Date : 2017-04-11T01:55:26.000Z

Theme from Fox's show When String Players Attack. Tense, suspenseful, fast, percussive chamber strings, found percussion and piano create a seemingly complicated, intelligent web of activity that gets slightly busier and more pissed off as it nears a climax @:29. Call/answer strings vs hits @:32 build back to a driving, almost positive section @:53 with atmospheric hits and synth pads, leading to a hit-filled ending @1:16. Good for news, fast cutting and violent games of Clue.
    

Channel Title : Videohelper

Views : 194

Likes : 4

DisLikes : 0

Published Date : 2017-04-11T16:18:51.000Z

Dignified and aggressive - like an all-ballerina SWAT team. An intelligent way of suggesting time passing or simple neutral/positive suspense. Anticipatory and measured, this mid-tempo track starts with a simple marimba progression and percussion (shakers/metallics). As it progressively adds wind, string and piano arpeggios on top, the cut becomes a large, complex web of clockwork-like interwoven elements and rhythms. Gets fastest @:53 with a double-time piano arpeggio added. Good for time lapse, fast cutting or showing evolution.
    

Channel Title : Videohelper

Views : 351

Likes : 13

DisLikes : 0

Published Date : 2017-04-11T17:14:37.000Z

The epidemic is here and it will kill you. Twice. Loud, angry, attention-getting Cinematic Metal/Rock conflict and somewhere between full-contact sports and interplanetary conflict, this intensely dramatic cut prepares you for a global epidemic of ultra-violence or being catheterized with the Empire State building. Brutal drums and aggressive distorted blasts face off against vicious guitar riffs (@:14), thumping bass and electronic drums, culminating in explosive climaxes @:29 and 1:12. Has epic finish. Enjoy NFL, WWE, TNT etc. Great for extreme anything, gladiatorial sports and investigations.
    

Channel Title : Videohelper

Views : 151

Likes : 4

DisLikes : 0

Published Date : 2017-04-11T01:56:14.000Z

Ever find the love of your life and then lose that love because you accidentally called her "Mommy" during lovemaking? This hit-filled, dramatic cut starts small and mysterious with piano, synth/string pads and a choir vocal sample, vocodes/processes it, then @:14 combines it with an epic orchestral/chorus feel that brings to mind victory, revenge, and conflicts between countries. A percussion section @:31 features in/out subtle vocal textures, building to the main mix @:52. Good for suggesting loss, monumental struggle, and mystery. (Also: BG)
    

Channel Title : Videohelper

Views : 126

Likes : 1

DisLikes : 0

Published Date : 2017-04-11T01:56:21.000Z

[Creepily Mysterious » Positive » Tense] An atmospheric, slower-tempoed cut that spans two emotions: Part One is CREEPY, using ethnic stringed instruments, wind-like sound design, high orchestral strings, delayed metallic percussion and radio transmissions. A crescendo @:40 introduces Part Two: a REDEMPTIVE / POSITIVE section, using choir, brass, strings and synth bass to suggest that you shouldn’t be afraid of the dark and should be proud that you have overcome your fears – only to find the CREEPY section returning @1:44, when you discover that there IS something out there in the dark.
    

Channel Title : Videohelper

Views : 85

Likes : 0

DisLikes : 0

Published Date : 2017-04-11T01:56:05.000Z

After a series of short percussive/distorted electric guitar episodes against processed brass swells/sound design, the cut explodes into pounding, straightforward acoustic drum/string/brass/electric guitar-driven orchestral brashness @:14, with the percussive episodes continuing throughout. The second half builds more gradually into the orchestral section, getting fullest @:47, but stays slightly smaller, having removed the brass and adding reversed piano - overall, more background-friendly than the first half's orchestral section. Good for communicating a sense of purpose and determination. (Also: BG)
    

Channel Title : Videohelper

Views : 73

Likes : 1

DisLikes : 0

Published Date : 2017-04-11T17:15:36.000Z

Unique bipolar cut where 70s cop show music meets cheerleading beats meets melancholy arty girl vocals. Opens thoughtful and slightly tense before opening up into a free jam @:28 when the game show horns come in. Gets all depressed again around :52 as the mix collapses back to vocals and keyboard, then builds itself back up again. Useful for movie marathons, fun mysteries, investigations or image spots.
    

Channel Title : Videohelper

Views : 15

Likes : 0

DisLikes : 0

Published Date : 2017-04-11T16:18:25.000Z

Cruel and ruthless time ticking by? Covered in bugs? This creepy cut works for both. Skittering, nervous, arrhythmic metal taps and muted electric guitar create a tense, unsettling feeling against a heartbeat-like thumping, a low ominous bowed bass drone and haunting, climbing/processed vocal pads that all get faster/more intense until a large revelation-finding chord @:22, climaxing @:29. The second half develops similarly, but takes away the extra pads. Good for horror and mysteries.
    

Channel Title : Videohelper

Views : 111

Likes : 1

DisLikes : 0

Published Date : 2017-04-11T01:56:18.000Z

Fanfare on steroids. A masculine, hit-filled, percussive, and aggressive proclamation that you will no longer be called "Little Stewie Pee Pee Pants" by anyone. Stabbing horns, strings, and hyped orchestral drums/toms/slams create a non-stop build to victory, growing in density and testosterone until a climax @:29. A fast, tense, "ticking" bed of processed percussion @:31, with acoustic kick drum @:35, helps transition into the bigger, more epic percussion/string bed starting @:40. The main theme/mix returns @:56, ending the cut with a succession of large hits. Good for sports, conflicts, and even politics. (Also: BG)
    

Channel Title : Videohelper

Views : 814

Likes : 12

DisLikes : 0

Published Date : 2017-04-11T17:15:23.000Z

The smallest version of all is still pretty damn big. Has much of the hugeness and action of the main version, but without those blaring horns, mouthbreathing choir folks or distorted guitar-y sounds.

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